Television Criticism
Television Criticism presents an original treatment of television criticism with a foundational approach to the nature of criticism, an understanding of the business of television, production background in creating television style, in-depth chapters on storytelling and narrative theories and television genres, the interaction of rhetoric and cultural studies theories, representation, and postmodernism. It presents new and comprehensive guidelines for analysis and criticism, and it has a sample critique of the television program CSI: Crime Scene Investigation.
News of the World: World Cultures Look at Television News by Klaus Bruhn Jensen, ISBN 041516107X
This collection is the first in-depth study of how television viewers around the world respond to the ever increasing mass of information available from news programs. "News of the World" describes and interprets the type of news available, the amount of news that viewers consume, and how it is understood in the context of everyday life in the United States, India, Mexico, Italy, Denmark, Israel and Belarus.
News of the World: World Cultures Look at Television News by Klaus Bruhn Jensen, ISBN 041516107X 
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Television Plays by Paddy Chayefsky, ISBN 1557831912
A collection of six television plays by this brilliant writer: Holiday Song, Printer's Measure, The Big Deal, Marty, The Mother, and The Bachelor Party. Includes an introduction and notes for each play by the author.
Television Plays by Paddy Chayefsky, ISBN 1557831912
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Descriptive Metadata for Television: An End-To-End Introduction
Descriptive Metadata for Television is a comprehensive introduction for television professionals that need to understand metadata's purpose and technology. This easy-to-read book translates obscure technical to hands-on language understandable by real people.
Descriptive Metadata for Television: An End-To-End Introduction
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The Boy Who Did Not Like Television
Zink crafts a wonderful story of a young boy whose one wish is that his parents would turn off the television and turn their attention to him instead. This distresses his parents, but eventually they come to realize that their son is more entertainment than television could ever be. Full color.
The Boy Who Did Not Like Television
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